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Odalisque reclining in a harem, from "Titres de Romance", 1857
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Odalisque reclining in a harem, from "Titres de Romance", 1857
Odalisque reclining in a harem, from " Titres de Romance", 1857. [La plainte de la captive]
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Media ID 20637640
© Heritage Art/Heritage Images
Auguste Auguste Del And Xe2 Auguste Delatre Bracquemond Bracquemond Felix Concubine Del And Xe2 Delatre Delatre Auguste Exotic F And Xe9 F Lix Bracquemond Felix Félix Bracquemond First State Of Two Harem Hookah Huqqa Huqqa Pipe Lix Bracquemond Odalisque Orientalism Orientalist Pipe Seraglio Tobacco Pipe Tre Auguste Water Pipe
EDITORS COMMENTS
The captivating print titled "Odalisque reclining in a harem, from 'Titres de Romance', 1857" by Felix Bracquemond takes us back to the enchanting world of 19th-century Orientalism. This black and white etching showcases the artist's mastery in capturing the exotic allure of a harem setting. In this scene, we find ourselves inside an opulent interior where a concubine, known as an odalisque, reclines gracefully on sumptuous cushions. She exudes sensuality and mystery with her languid pose and alluring gaze. The artist skillfully portrays her beauty through delicate lines and shading techniques. Surrounded by intricate details, such as ornate hookahs and tobacco pipes adorning the room, we are transported into a realm of indulgence and pleasure. The atmosphere is filled with smoke as she elegantly holds a huqqa pipe between her fingers, immersing herself in its intoxicating aroma. Bracquemond's work reflects the fascination that French artists had for Eastern cultures during this period. It captures not only their admiration for oriental aesthetics but also their desire to escape into fantasies of faraway lands. This remarkable piece can be found at the Metropolitan Museum of Art, serving as a testament to Bracquemond's artistic prowess and his contribution to the genre of Orientalist art. It invites viewers to delve into an imaginary world where beauty knows no bounds - a timeless depiction that continues
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