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Oe no Chisato, from the series "One Hundred Poems by One Hundred Poets (Hyakunin)

Oe no Chisato, from the series 'One Hundred Poems by One Hundred Poets (Hyakunin)


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Oe no Chisato, from the series "One Hundred Poems by One Hundred Poets (Hyakunin)

Oe no Chisato, from the series " One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi)", c. 1842

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Media ID 24369897

© Heritage Art/Heritage Images

Geese Goose Ichiyusai Kuniyoshi Kuniyoshi Utagawa Litter Palanquin Sedan Chair Utagawa Kuniyoshi Waterfowl Wild Geese Colour Woodblock Print Oban


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> Animals > Birds > Waterfowl > Geese > Related Images

> Animals > Birds > Waterfowl > Related Images

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Utagawa Kuniyoshi

> Arts > Artists > U > Kuniyoshi Utagawa

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban

> Popular Themes > Poets


EDITORS COMMENTS
This woodblock print, titled "Oe no Chisato" is a masterpiece from the renowned series "One Hundred Poems by One Hundred Poets" created by Utagawa Kuniyoshi during the Edo period in Japan. The artwork, dating back to around 1842, showcases the artist's exceptional talent and attention to detail. In this scene, we witness a man of noble stature being carried in a palanquin along a country road. Surrounded by lush greenery and serene waters, he is accompanied by a flock of graceful geese soaring through the sky. The vibrant colors used in this print bring life to every element depicted. Utagawa Kuniyoshi was known for his unique ability to blend traditional Japanese art techniques with innovative compositions. His mastery of ukiyo-e style shines through in this piece as he captures both the beauty of nature and human presence harmoniously. The print not only serves as an artistic representation but also offers insights into transportation methods during the Tokugawa period. It provides us with glimpses into historical aspects such as sedan chairs and road transport prevalent at that time. Displayed proudly at the Art Institute of Chicago, this artwork stands as a testament to Utagawa Kuniyoshi's contribution to Japanese art history. Its intricate details and rich symbolism make it an essential piece within their collection dedicated to Asian arts. As we admire this remarkable woodblock print today, it continues to evoke awe and appreciation for its cultural significance while reminding

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