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Old Lady in Red Shawl, 1852-1866. Creator: Paul Gavarni
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Old Lady in Red Shawl, 1852-1866. Creator: Paul Gavarni
Old Lady in Red Shawl, 1852-1866
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Media ID 36371581
© Heritage Art/Heritage Images
1850s Art Movement Chevallier Guillaume Sulpice Chevallier Sulpice Guillaume Class Elderly Woman Gavarni Paul Gavarni Pol Hood Hooded Ink On Paper Old Age Old Woman Paul Gavarni Realist Shawl Social Class Sulpice Guillaume Chevallier Walters Art Museum Working Class Artistic Movement
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Old Lady in Red Shawl
EDITORS COMMENTS
is a captivating 19th century artwork by the renowned French artist Paul Gavarni, also known as Hippolyte-Guillaume Sulpice Chevalier. Created between 1852 and 1866, this masterpiece showcases the artist's exceptional skill in capturing the essence of human emotion and the intricacies of social class through his intricate ink and red ink on brown moderately thick slightly textured wove paper. The Old Lady in Red Shawl is depicted as a solitary figure, standing with a stoic expression, clad in a vibrant red shawl and a simple, hooded dress. The use of color and contrast in this drawing is striking, with the red shawl serving as a bold statement against the muted brown background. The lady's age is evident in her wrinkled face and hunched posture, yet her eyes hold a quiet strength and resilience. This artwork is a prime example of the Realist movement, which sought to portray everyday life and people with unflinching accuracy. Gavarni's attention to detail and ability to convey the subject's character and social status through her clothing and demeanor make this a truly remarkable piece. The Old Lady in Red Shawl is an intriguing glimpse into the past, offering a window into the lives of working-class women during the 1850s in France. Her quiet dignity and the simple elegance of her attire make this portrait a timeless masterpiece that continues to captivate viewers today. This artwork is currently housed in the Walters Art Museum, adding to its rich cultural heritage and significance in the history of art.
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