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A Paradice [sic] for Fools-A Nocturnal Trip-or-The Disciple of Johanna benigh
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A Paradice [sic] for Fools-A Nocturnal Trip-or-The Disciple of Johanna benigh
A Paradice [sic] for Fools-A Nocturnal Trip-or-The Disciple of Johanna benighted-vided Scourge No. XXXVI, page 510, September 1, 1814
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Media ID 20566793
© Heritage Art/Heritage Images
C Williams Charles Williams Disturbance Fool Mule Overweight Speech Bubble Williams Williams C Williams Charles Hand Coloured Hand Tinted Letterbox Format
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A Paradice for Fools-A Nocturnal Trip-or-The Disciple of Johanna benighted
EDITORS COMMENTS
is a captivating 19th-century print that takes us back in time to the vibrant streets of Britain. Created by Charles Williams, this hand-colored etching showcases his exceptional talent and attention to detail. In this panoramic scene, we find ourselves amidst a bustling night filled with eccentric characters. The image captures the essence of a nocturnal adventure, as men and women roam the streets under dimly lit lanterns. Their animated conversations are depicted through speech bubbles, adding an element of liveliness to the artwork. One cannot help but notice the central figure - an overweight man who becomes the focal point due to his sheer size and comical appearance. He represents folly and foolishness, embodying society's caricatured perception of gluttony and excess. His presence adds a touch of humor while also serving as social commentary on indulgence during that era. The color palette chosen by Williams further enhances the vibrancy of this scene; warm tones dominate, with red hues accentuating key elements throughout the composition. This remarkable piece from The Metropolitan Museum of Art's collection not only showcases Charles Williams' artistic prowess but also provides us with a glimpse into British society during the 19th century. It serves as a reminder that even in times past, human nature remains unchanged – our fascination with spectacle and our inclination towards satire have always been part of our cultural fabric.
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