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Patchwork quilt, 1943. Creator: Unknown
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Patchwork quilt, 1943. Creator: Unknown
Patchwork quilt, 1943. Made by a member of a Yorkshire Institute. The Womens Institute (WI) was formed in Britain 1915 to revitalise rural communities and encourage women to become more involved in producing food during the First World War. The organisation broadened its aims to provide women with educational opportunities, learn new skills, take part in a wide variety of activities and to campaign on social issues that matter to them and their communities. It is non-sectarian and non-party political, and is the largest voluntary womens organisation in the UK. From " Womens Institutes, by Cicely McCall. [Collins, London, 1943]
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Media ID 19777966
© The Print Collector/Heritage Images
Bed Chamber Bed Cover Bedchamber Bedroom Britain In Pictures Cicely Cicely Mccall Collins Handicraft Patchwork Patchwork Quilt Quilt Recycling Social History William Collins William Collins And Sons William Collins Sons Womens Institute Mccall Sewing
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EDITORS COMMENTS
This print showcases a beautifully crafted patchwork quilt from 1943, its creator remaining unknown. Made by a member of the Yorkshire Institute, this quilt holds great historical significance as it represents the Women's Institute (WI) in Britain during World War I. Originally established to revitalize rural communities and encourage women's involvement in food production, the WI expanded its goals to provide educational opportunities and empower women with new skills. The vibrant colors and intricate patterns of this patchwork quilt reflect not only the creativity of its maker but also symbolize the spirit of resourcefulness and recycling prevalent during that era. Crafted with love and care, this textile masterpiece served both practical purposes as a bed cover while also being an artistic expression. As we delve into this snapshot from history, we are reminded of how organizations like WI played a crucial role in empowering women and fostering community engagement. This photograph is more than just an image; it encapsulates social history within its threads. Preserved by William Collins & Sons' publication "Women's Institutes" authored by Cicely McCall in 1943, this print serves as a testament to the enduring legacy of British craftsmanship and creative reuse. It invites us to appreciate not only the beauty found within these textiles but also their cultural significance within our society.
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