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Pidoux. Jean. Victor. 45 ans, ne au Chatelet (Seine-et-Marne)

Pidoux. Jean. Victor. 45 ans, ne au Chatelet (Seine-et-Marne)


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Pidoux. Jean. Victor. 45 ans, ne au Chatelet (Seine-et-Marne)

Pidoux. Jean. Victor. 45 ans, ne au Chatelet (Seine-et-Marne). Estampeur de metaux. Anarchiste 2/7/94. 1894

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Media ID 20138380

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Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Metalworker Mug Shot Mugshot Physical Anthropology Albumen Print Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Marne

> Europe > France > Canton > Seine

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print by Alphonse Bertillon captures the essence of Jean Victor Pidoux, a 45-year-old metalworker and self-proclaimed anarchist. Taken in 1894, this albumen silver print showcases the meticulous anthropometric techniques employed by Bertillon to document individuals for identification purposes. In this portrait, Pidoux's stern expression reflects his rebellious nature and political beliefs. His arrest on July 2nd, 1894, is evident from the mugshot-like composition of the photograph. The image not only serves as evidence of his encounter with the law but also provides valuable insight into the social and political climate of late 19th-century France. Bertillonage, a groundbreaking concept developed by Alphonse Bertillon himself, revolutionized criminal identification through precise measurements and physical characteristics. This photograph stands as a testament to his pioneering work in forensic science. Beyond its historical significance within criminology, this image offers us a glimpse into Pidoux's life and occupation as an estampeur de metaux (metalworker). It reminds us that behind every mugshot lies a complex individual with their own story. Preserved at The Metropolitan Museum of Art, this heritage art piece invites viewers to contemplate not only the intersection between photography and anthropology but also broader themes such as politics, profession, crime, identity, and personal freedom.

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