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Pieta, the dead Christ supported by the Virgin, putti at the left, ca. 1633-46. Creator: Joost de Pape

Pieta, the dead Christ supported by the Virgin, putti at the left, ca. 1633-46. Creator: Joost de Pape


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Pieta, the dead Christ supported by the Virgin, putti at the left, ca. 1633-46. Creator: Joost de Pape

Pieta, the dead Christ supported by the Virgin, putti at the left, ca. 1633-46

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Media ID 26373359

© Heritage Art/Heritage Images

Angels Anibal Caracci Anibale Caracci Anibali Caracci Annibale Carracci Bible Scene Biblical Character Carracci Annibale Christ Antiphonetes Christ Jesus Dead Dead Body H Carracci Hannibale Carracci Mary Virgin Piet And Xe0 Pieta Saint Mary St Mary Stella Maris The Virgin Mary Virgin Mother Virgin Of Sorrows Mother Of God Santo


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EDITORS COMMENTS
This print showcases Joost de Pape's masterpiece, "Pieta, the dead Christ supported by the Virgin, putti at the left". Created between 1633 and 1646, this artwork beautifully depicts a biblical scene from the New Testament. The image portrays the grief-stricken Virgin Mary cradling her lifeless son, Jesus Christ. Surrounding them are angelic putti offering solace in their sorrow. The etched details of this Flemish artwork bring to life the emotions and pain felt by these iconic biblical characters. De Pape's skillful drawing captures every nuance of their expressions and bodies with remarkable precision. Displayed in an art gallery or museum setting like the Metropolitan Museum of Art, this historic piece serves as a testament to Christian culture and heritage. It invites viewers to reflect on themes of death, sacrifice, and redemption central to Christianity. Through its powerful depiction of maternal love and profound loss, "Pieta" resonates with audiences across centuries. This print allows us to appreciate De Pape's artistic mastery while contemplating timeless religious symbolism. Whether one is drawn to religious iconography or simply appreciates fine artistry, this photograph offers a glimpse into an important chapter in art history. It serves as a reminder that even in death there can be beauty found within human suffering.

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