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Pioger. Louise (veuve Lefevre). 45 ans, ne a Mezieres (Sarthe)

Pioger. Louise (veuve Lefevre). 45 ans, ne a Mezieres (Sarthe)


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Pioger. Louise (veuve Lefevre). 45 ans, ne a Mezieres (Sarthe)

Pioger. Louise (veuve Lefevre). 45 ans, ne a Mezieres (Sarthe). Giletiere. Disposition du prefet. 8/3/94. 1894

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Media ID 20138328

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anthropology Anthropometry Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Albumen Print Albumen Silver Print


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Sarthe

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Pioger. Louise (veuve Lefevre). 45 ans, ne a Mezieres (Sarthe) - A Glimpse into the Past

EDITORS COMMENTS
. This print captures the intriguing story of Pioger Louise, a widow named Lefevre who was born in Mezieres, Sarthe. Taken by renowned French photographer Alphonse Bertillon in 1894, this albumen silver print showcases his expertise in anthropometry and physical anthropology. Louise's portrait is part of Bertillon's groundbreaking work on identification techniques for law enforcement purposes. Known as "bertillonage" his method involved measuring various body parts to create unique profiles for criminal identification. In this mugshot-like image, we see an enigmatic woman staring directly at the camera with an air of mystery surrounding her. The stark contrast between light and shadow adds depth to her features, emphasizing her individuality within the context of crime and science. As we delve into this snapshot from France's past, we are transported back to a time when photography played a crucial role in criminal investigations. This photograph not only serves as evidence but also offers us a glimpse into the life of Pioger Louise – her age, birthplace, and perhaps even hints at her involvement in some form of illicit activity. Preserved by The Metropolitan Museum of Art as part of their heritage collection, this remarkable piece invites us to reflect on our shared history while marveling at Bertillon's pioneering contributions to both

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