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Pity The Poor Prisoners?, 1868. Artist: Charles Samuel Keene
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Pity The Poor Prisoners?, 1868. Artist: Charles Samuel Keene
Pity The Poor Prisoners?, 1868. A satirical look at the state of the nations prisons in the mid-Victorian period. Here, a group of lower-class prisoners, probably enjoying, (in the view of Mr Punch), rather better living conditions than they might outside prison, complain about the standard of the shaving facilities provided and the possibility of skin diseases. Mr Punch would have little sympathy for such complaints. From Punch, or the London Charivari, November 21, 1868
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Media ID 14831172
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Charles Samuel Charles Samuel Keene Criminal Disease Handcuffs Heritage Image Partnership Hygiene Keene Penitentiary Police Policeman Prison Prisoner Shaving Skin Top Hat
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Pity The Poor Prisoners?, 1868
EDITORS COMMENTS
by Charles Samuel Keene is a satirical portrayal of the state of prisons during the mid-Victorian period. In this print, a group of lower-class prisoners can be seen discussing their living conditions within the confines of prison walls. According to Mr Punch, who views their complaints with disdain, these prisoners seem to enjoy better amenities than they would outside. The focus of their discontent lies in the standard of shaving facilities provided and concerns about potential skin diseases. However, Mr Punch shows little sympathy towards such grievances. This artwork offers a glimpse into the social commentary prevalent at that time regarding crime and punishment. Keene's intricate detailing brings out various elements in this scene - from the top hats worn by some individuals symbolizing authority and hierarchy, to handcuffs representing imprisonment itself. The artist's use of monochrome adds depth and intensity to his caricature-like figures. This engraving serves as a reminder that even in an era known for its strict law enforcement and rigid societal norms, issues surrounding hygiene and prisoner welfare were not exempt from criticism or satire. "Pity The Poor Prisoners?, 1868" captures both historical context and artistic brilliance while shedding light on the complexities surrounding crime, punishment, and public perception during nineteenth-century Britain.
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