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Plate 25: Psyche setting off in Charons boat, ignoring the old man at left who request... 1530-60. Creator: Master of the Die
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Plate 25: Psyche setting off in Charons boat, ignoring the old man at left who request... 1530-60. Creator: Master of the Die
Plate 25: Psyche setting off in Charons boat, ignoring the old man at left who requests alms, from the Story of Cupid and Psyche as told by Apuleius, 1530-60
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Media ID 26373979
© Heritage Art/Heritage Images
Charon Cupid And Psyche Die Master Of The Kharon Master Of The Die Mythical Figure Mythological Figure Psyche Story Greek Mythology Roman Mythology
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EDITORS COMMENTS
This print, titled "Plate 25: Psyche setting off in Charon's boat, ignoring the old man at left who requests alms" takes us back to the enchanting world of Greek mythology. Created by the Master of the Die during the 16th century, this engraved artwork is part of a larger series depicting the timeless story of Cupid and Psyche as told by Apuleius. In this particular scene, we witness Psyche embarking on a perilous journey across the River Styx with Charon, the ferryman of Hades. However, her attention seems to be diverted from an old man standing at her side pleading for charity. This intriguing composition raises questions about human nature and our ability to overlook those in need even amidst extraordinary circumstances. The meticulous details captured by the Italian artist transport us into a mythological realm where gods and mortals coexist. The figure of Psyche exudes grace and beauty while Charon embodies his role as a mythical guide between life and death. Through this masterful engraving, we are reminded not only of ancient tales but also how art can transcend time and continue to resonate with viewers centuries later. Now housed within The Metropolitan Museum of Art's prestigious collection, this print showcases both artistic skill and cultural heritage. It serves as a testament to humanity's enduring fascination with mythology and its power to inspire generations through visual storytelling.
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