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Police Commissarys Reception Room the Night Before a Holiday, 1837. Artist: Fedotov, Pavel Andreyevich (1815-1852)
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Police Commissarys Reception Room the Night Before a Holiday, 1837. Artist: Fedotov, Pavel Andreyevich (1815-1852)
Police Commissarys Reception Room the Night Before a Holiday, 1837. Found in the collection of the State Tretyakov Gallery, Moscow
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Media ID 15000852
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Abundance Affluence Bribery Brush Cornucopia Corrupt Corruption Counsel Court Embezzlement Fedotov Greed Grotesque Ink And White Colour On Paper Judge Jurist Justice Luxuriancy Money Opulence Pavel Andreyevich 1815 1852 Police Prosperity Riche Riches Richness Stinginess Wealth Wealthiness Lawyer
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EDITORS COMMENTS
This painting by Pavel Andreyevich Fedotov, titled "Police Commissarys Reception Room the Night Before a Holiday, 1837" offers a satirical glimpse into the world of wealth and corruption in 19th-century Russia. The artist's keen eye for detail and his ability to capture human nature are evident in this fine art piece. In this scene, we find ourselves inside the lavish reception room of a police commissary on the eve of a holiday. The room is adorned with opulent decorations and overflowing with abundance, symbolized by an array of riches scattered throughout - piles of money, luxurious fabrics, and extravagant gifts. This display represents both the affluence enjoyed by those in power and their insatiable greed. Fedotov employs elements of romanticism and grotesque to emphasize the stark contrast between justice and corruption. A judge sits at one end of the table while lawyers engage in hushed conversations nearby. However, their true intentions become apparent as they exchange bribes under the table or whisper secrets behind closed doors. The artist's use of watercolor, ink, and white color on paper adds depth to this intricate composition. Each stroke reveals not only Fedotov's technical skill but also his biting critique on societal issues such as embezzlement and bribery within Russian law enforcement. "Police Commissarys Reception Room" serves as a powerful reminder that even within institutions meant to uphold justice, corruption can thrive when unchecked. Fedotov's
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