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Porte Septentrionale de la Salle Hypostyle du Palais de Karnac, 1849-50

Porte Septentrionale de la Salle Hypostyle du Palais de Karnac, 1849-50


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Porte Septentrionale de la Salle Hypostyle du Palais de Karnac, 1849-50

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Media ID 20134357

© Heritage Art/Heritage Images

Ancient Egypt Archaeological As Said Camp Camp Maxime Du Door Doors Doorway Du Camp Du Camp Maxime Great Hypostyle Hall Hypostyle Hall Karnak Karnak As Said Egypt Karnak Temple Luxor Luxor Al Uqsur Maxime Maxime Du Maxime Du Camp Salted Paper Print Temple Of Karnak Thebes Ancient Egyptian Mizraim


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Luxor

> Africa > Egypt > Related Images

> Architecture > Country > France

> Architecture > Doors

> Architecture > Religious

> Architecture > Styles > Ancient Egyptian Architecture

> Architecture > Styles > Egyptian Architecture

> Architecture > Temples

> Arts > Artists > C > Maxime Du Camp

> Arts > Contemporary art > Photography > Landscape photography


EDITORS COMMENTS
This print captures the majestic Porte Septentrionale de la Salle Hypostyle du Palais de Karnac, taken by Maxime du Camp in 1849-50. The image showcases the grandeur of this ancient Egyptian archaeological site, located in Thebes, now known as Luxor al Uqsur. The photograph highlights the intricate architecture of the temple of Karnak, specifically focusing on its northern entrance. The imposing doorway stands tall against a backdrop of ruins, showcasing the rich heritage and religious significance of this historical location. Maxime du Camp's skillful use of photography adds a timeless quality to the image, emphasizing the enduring beauty and cultural importance of Egypt's ancient past. Through his lens, he transports us back to a time when these structures were still intact and bustling with life. As we gaze upon this salted paper print at The Metropolitan Museum of Art, we are reminded not only of Egypt's architectural marvels but also Du Camp's contribution to preserving our collective history through his artistry. This photograph serves as a testament to both his technical prowess as a photographer and his dedication to documenting archaeological sites for future generations. In this composition, Du Camp invites us to explore an era long gone while reminding us that our connection with ancient civilizations is never truly lost.

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