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Portrait of Amalia van Solms (1602-75), in or after c.1632. Creator: Unknown
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Portrait of Amalia van Solms (1602-75), in or after c.1632. Creator: Unknown
Portrait of Amalia van Solms (1602-75), in or after c.1632. Other Title(s): Sophia Hedwig von Braunschweig-Wolfenbuttel (1592-1642). Wife of Ernst Casimir. Copy after Michiel Jansz van Mierevelt
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Media ID 36322477
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Amalia Of Solms Braunfels Amaliey Of Solms Dutch Golden Age Lace Collar Michiel Jansz Van Miereveld Michiel Jansz Van Miereveldt Michiel Jansz Van Mierevelt Michiel Janszoon Van Mierevelt Michiel Miereveldt Michiel Van Miereveld Michiel Van Mierevelt Miereveld Michiel Jansz Van Miereveld Michiel Van Miereveldt Michiel Miereveldt Michiel Jansz Van Mierevelt Michiel Jansz Van Mierevelt Michiel Van Mirevelt Neckline Nobility Princess Princess Amalia Of Solms Braunfels Princess Of Orange Regent Solms Braunfels Amalia Of Van Miereveld Michiel Jansz Van Mierevelt Michiel Amalia Van Solms Aristocrat Golden Age Ladieswear Womens Wear Womenswear
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EDITORS COMMENTS
This portrait depicts Amalia van Solms (1602-75), also known as Sophia Hedwig von Braunschweig-Wolfenbuttel, in or around the year 1632. The exact creator of this image remains unknown, but it is believed to be a copy after the renowned Dutch painter Michiel Jansz van Mierevelt (1566-1641). Amalia's striking appearance is captured in this head and shoulders portrait, where she gazes directly at the viewer with an air of confidence and sophistication. Amalia's attire reflects the fashionable trends of the Dutch Golden Age. She wears a high-necked, long-sleeved dress in black, a color often associated with mourning or nobility during this period. The dress features a lace collar, adding a delicate and intricate touch to the outfit. The collar's intricate design and the black color of the dress highlight Amalia's elegant neckline and the contrasting white lace. Amalia's direct gaze and the subtle expression on her face convey a sense of strength and determination. Her aristocratic status is further emphasized by the collared ruff at her neck, a common accessory among the Dutch elite during the 17th century. This portrait is a testament to the rich heritage of Dutch art and the enduring influence of the Dutch Golden Age on European art history. The portrait's muted color palette and the meticulous attention to detail in Amalia's clothing and accessories make it a striking example of the fashion and artistic trends of the time. This image is a valuable addition to any collection of historical portraits, providing a glimpse into the lives of the aristocrats of the Low Countries during the 17th century.
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