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Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Artist: Rogier Van der Weyden

Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Artist: Rogier Van der Weyden


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Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Artist: Rogier Van der Weyden

Portrait of Antoine, Bastard of Burgundy, c1456, (1927). Found in the collection of the Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London. Essays by paul Lambotte, Dr Max Friedlander and W G Thomsom, Apollo Press, London, 1927

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Media ID 14934682

© The Print Collector / Heritage-Images

Arrow Burgundy Chain Of Office Dark Rogier Van Der Rogier Van Der Weyden Thoughtful Weyden


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> Arts > Artists > W > Rogier van der Weyden

> Europe > Belgium > Brussels

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Europe > France > Le Mans

> Europe > France > Military

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases the renowned "Portrait of Antoine, Bastard of Burgundy" by Rogier Van der Weyden. Created in 1456 and later reproduced in 1927, this masterpiece can be found in the esteemed collection of the Musees Royaux des Beaux-Arts de Belgique in Brussels, Belgium. The portrait depicts Antoine, a prominent figure from the fifteenth century who was known as "the Grand Bastard". Dressed elegantly in his chain of office and donning a stylish hat, Antoine exudes an air of authority and sophistication. His thoughtful expression hints at a deeper contemplation beneath his composed demeanor. Van der Weyden's meticulous attention to detail is evident throughout this artwork. The use of dark colors adds depth and intensity to the composition while highlighting Antoine's commanding presence. Holding a religious weapon—an arrow—Antoine's portrait reflects both his role as a military leader and his devout faith. This Flemish masterpiece transports us back to an era filled with political intrigue and cultural richness. It offers us a glimpse into the life of one man who played a significant role during that time period—a man whose legacy continues to captivate art enthusiasts even today. As we admire this remarkable print, we are reminded not only of Van der Weyden's artistic prowess but also of the historical significance embodied by Antoine Bastard of Burgundy himself.

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