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Portrait of Fra Lorenzo da Bergamo, 1542. Creator: Lorenzo Lotto

Portrait of Fra Lorenzo da Bergamo, 1542. Creator: Lorenzo Lotto


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Portrait of Fra Lorenzo da Bergamo, 1542. Creator: Lorenzo Lotto

Portrait of Fra Lorenzo da Bergamo, 1542. The Dominican preacher Fra Lorenzo from the city of Bergamo, Italy. Dressed in the robes of his order, Fra Lorenzo is linked with St. Thomas Aquinas by his halo and the lily he holds, symbolic of purity. The 13th-century Dominican saint was among the most important theologians in the West. By appearing in the guise of a saint, the sitter has revealed his pious and intellectual aspirations

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Media ID 36365632

© Heritage Art/Heritage Images

1540s 1550s High Renaissance Lilies Lilium Lily Lorenzo Lotto Lotto Lorenzo Piety Pious Pointing Preacher Preaching Purity Self Interest Symbolic Walters Art Museum Selfish Selfishness


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Thomas Hand

> Arts > Artists > L > Lorenzo Lotto

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Italy > Lombardy > Bergamo

> Historic > Renaissance art > High Renaissance art

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Italian renaissance art


EDITORS COMMENTS
This portrait, entitled "Portrait of Fra Lorenzo da Bergamo," was painted by the renowned Italian artist Lorenzo Lotto in the 1540s or 1550s. The subject of the painting is Fra Lorenzo, a Dominican preacher from the city of Bergamo, Italy. Fra Lorenzo is depicted wearing the robes of his order, signifying his devotion and commitment to his religious vocation. The halo above Fra Lorenzo's head and the lily he holds are symbolic of his pious and intellectual aspirations. The lily is a traditional attribute of St. Thomas Aquinas, a 13th-century Dominican saint and one of the most important theologians in the Western world. By appearing in the guise of a saint, Fra Lorenzo reveals his deep connection to the religious tradition and his desire for spiritual growth. The portrait is a prime example of the High Renaissance style, with its rich colors and intricate details. Fra Lorenzo's direct gaze and slight hand gesture add an element of intimacy and engagement, drawing the viewer into the painting. The artist's skillful use of oil on canvas creates a lifelike and textured representation of the sitter's face, with its prominent beard and furrowed brow. The painting's setting is simple, with a plain background and a few plants in the foreground. The natural elements, such as the lilies and the flowers, add a touch of beauty and harmony to the composition. Overall, "Portrait of Fra Lorenzo da Bergamo" is a powerful and evocative work of art that speaks to the enduring power of faith and the human spirit.

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