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Portrait of Henry Walters, 1938. Creator: Thomas Cromwell Corner

Portrait of Henry Walters, 1938. Creator: Thomas Cromwell Corner


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Portrait of Henry Walters, 1938. Creator: Thomas Cromwell Corner

Portrait of Henry Walters, 1938. In this posthumous portrait the founder of the Walters Art Museum, Henry Walters (1848-1931), is shown with three objects from his collection: a Mosan enamel plaque of the 12th century, a Limoges enamel reliquary of the 13th century, and a German brass statuette of St. Sebastian of the early 16th century

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Media ID 36365780

© Heritage Art/Heritage Images

Art Collector Casket Chasse Collector Desk Elderly Man Historic Figure Historical Person Mustache Old Man Old Men Philanthropist Philanthropy Plaque Reliquary Statuette Walters Art Museum White Hair


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> Arts > Artists > H > Thomas Henry

> Arts > Artists > W > Henry Walter

> Arts > Still life artwork > Oil paintings > Portrait paintings

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> Historic > Ancient artifacts and relics

> North America > United States of America > Related Images


EDITORS COMMENTS
This evocative posthumous portrait, painted by Thomas Cromwell Corner in 1938, captures the distinguished visage of Henry Walters, the visionary American art collector and philanthropist who founded the Walters Art Museum in Baltimore, Maryland. In this image, Walters is depicted in a thoughtful pose, seated at a desk adorned with a grey fabric cover, surrounded by the treasured objects of his collection. The three artifacts in Walters' hands offer a glimpse into the rich history and diversity of his extensive collection. The Mosan enamel plaque in his right hand dates back to the 12th century, its intricate designs and vibrant colors a testament to the artistic achievements of the Middle Ages. In his left hand, he cradles a Limoges enamel reliquary from the 13th century, its ornate goldwork and delicate enamelwork reflecting the religious and artistic traditions of the European Middle Ages. Completing the trio is a German brass statuette of St. Sebastian from the early 16th century, its intricate details and lifelike expression a testament to the skill of its creator. Walters' attire, with its formal suit and beard and mustache, speaks to the era in which the portrait was painted, the 1930s. The portrait not only serves as a tribute to the man and his remarkable collection but also as a window into the past, offering a glimpse into the world of art, history, and philanthropy that Henry Walters brought to life.

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