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Portrait of Maria Joachimsdr Swartenhont (1598-1631), 1627. Creator: Nicolaes Eliasz Pickenoy
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Portrait of Maria Joachimsdr Swartenhont (1598-1631), 1627. Creator: Nicolaes Eliasz Pickenoy
Portrait of Maria Joachimsdr Swartenhont (1598-1631), 1627. Other Title(s): Portrait of Maria Joachimsdr Swartenhont (1598-1631)Portrait of Maria Joachimsdr. Swartenhont (1598-1631), Wife of Maerten Rey
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Media ID 36320756
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Affluence Eliasz Nicolaes Neck Ruff Nicolaes Eliasz Nicolaes Eliasz Pickenoy Pickenoy Nicolaes Eliasz Ruff Wealth Wealthy Wife Wives Head Dress Oval Shaped
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EDITORS COMMENTS
This stunning portrait, titled "Portrait of Maria Joachimsdr Swartenhont (1598-1631)" by Nicolaes Eliasz Pickenoy, dates back to the Baroque era of the 17th century in the Netherlands. The subject of the painting is Maria Joachimsdr Swartenhont, who was the wife of Maerten Rey at the time. The portrait showcases the affluence and grandeur of the Dutch society during this period, as evidenced by Maria's elegant and opulent attire. Maria is depicted wearing an oval-shaped, oil on panel painting, with a richly colored and intricately designed dress. Her headdress is adorned with a grand netting, known as a neck ruff, which was a popular fashion trend among the wealthy women of the time. The ruff adds an air of sophistication and elegance to her appearance, while the oval shape of the painting enhances the portrait's visual appeal. The portrait is a testament to the concept of marriage during the Baroque era, where the wealth and status of the couple were often reflected in their portraits. The painting also highlights the importance of clothing and apparel during this period, which was used to convey one's social standing and wealth. This historic portrait is now housed in the Rijksmuseum in Amsterdam, where it continues to be an essential part of European art heritage. The portrait's intricate details and vibrant colors bring the Baroque era to life, offering a glimpse into the lives of the wealthy and affluent Dutch society of the 17th century.
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