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Portrait of Michel Le Blon (1587-1656), in or after 1700. Creator: Unknown
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Portrait of Michel Le Blon (1587-1656), in or after 1700. Creator: Unknown
Portrait of Michel Le Blon (1587-1656), in or after 1700
Heritage Images features heritage image collections
Media ID 36315700
© Heritage Art/Heritage Images
Anthonie Van Dyck Anthony Van Dyck Anthony Van Dyke Anthony Van Dyke Sir Anthony Vandyke Anton Van Dyck Antonie Van Dyck Dyck Anthonie Van Dyck Anthony Van Dyck Antonie Van Dyke Sir Anthony Van Ginger Hair Metal Worker Metalworker Mustache Publisher Red Hair Redhead Sir Anthonis Van Dyck Sir Anthony Van Dyck Sir Anthony Van Dyke Van Dyck Van Dyck Anthonie Van Dyck Anton Van Dyck Antonie Van Dyke Sir Anthony Vandyke Anthony Michel Le Blon
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EDITORS COMMENTS
This portrait depicts Michel Le Blon (1587-1656), a German-born metalworker who made a name for himself in the Netherlands during the Baroque era. The exact date of this image is unknown, but it is believed to have been created in or after 1700. The artist behind this masterpiece remains a mystery, although it bears the stylistic influences of Anthony van Dyck, the renowned Flemish painter of the same period. Michel Le Blon's striking features are captured in intricate detail in this oil on canvas painting. His ginger hair, framed by a full moustache and beard, contrasts with his dark clothing, adding depth and texture to the composition. Le Blon's intense gaze and strong jawline convey a sense of determination and confidence, reflecting his successful career as a metalworker and publisher in the Low Countries. Despite the uncertainty surrounding the artist and the date of creation, this portrait is a valuable addition to the historical record of the 17th century. It provides a glimpse into the life of a successful entrepreneur and craftsman, whose contributions to the arts and industry continue to be celebrated today. This image is now part of the esteemed collection at the Rijksmuseum in Amsterdam, where it can be appreciated by visitors from around the world.
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