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Portrait of Stan Kenton, Shelly Manne, and Eddie Safranski, 1947 or 1948. Creator: William Paul Gottlieb

Portrait of Stan Kenton, Shelly Manne, and Eddie Safranski, 1947 or 1948. Creator: William Paul Gottlieb


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Portrait of Stan Kenton, Shelly Manne, and Eddie Safranski, 1947 or 1948. Creator: William Paul Gottlieb

Portrait of Stan Kenton, Shelly Manne, and Eddie Safranski, 1947 or 1948

Heritage Images features heritage image collections

Media ID 36276211

© Heritage Art/Heritage Images

Audience Band Bass Player Bill Gottlieb Composer Conductor Double Bass Double Bass Player Double Bassist Drum Kit Drumkit Drums Eddie Safranski Golden Age Of Jazz Gottlieb William P Gottlieb William Paul Instrument Instruments Jazz Age Jazz Band Kenton Stan Manne Shelly Safranski Eddie Shelly Manne Stan Kenton Stan Kenton Orchestra Stanley Newcomb Kenton Stringed Instrument William P Gottlieb William Paul Gottlieb Film Negative Group Portrait Jazz Musician


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> Animals > Fishes > B > Black Bass

> Animals > Mammals > Cricetidae > Golden Mouse

> Animals > Mammals > Muridae > Fortior

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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Film

> Arts > Music

> Arts > Street art graffiti > Portraits > Portrait photography


EDITORS COMMENTS
This black and white portrait, captured by renowned photographer William Paul Gottlieb, showcases an intimate moment during the golden age of jazz in America. The image features Stan Kenton, Shelly Manne, and Eddie Safranski of the Stan Kenton Orchestra, taken in the late 1940s. The trio exudes a palpable sense of camaraderie and focus, with Kenton conducting his band, Manne poised behind his drum kit, and Safranski intently playing his double bass. The audience, not visible in the frame, can only imagine the electrifying energy that filled the room as the music flowed. This photograph, now part of the Library of Congress's vast collection, is a testament to the rich cultural heritage of jazz music in the United States during the 1940s. With their instruments at the ready, these three men embody the spirit of innovation and creativity that defined the jazz scene of the time. The use of a film negative adds to the timeless quality of the image, transporting us back to an era when jazz was at the forefront of American art and culture.

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