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The pulpit of John Knox, and signatures of several eminent personages, 16th century, (1840). Artist: C J Smith
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The pulpit of John Knox, and signatures of several eminent personages, 16th century, (1840). Artist: C J Smith
The pulpit of John Knox, Parish Church of St Andrews, Fife, and signatures of several eminent personages connected with the reformation of religion in Scotland, 16th century, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents, by Charles John Smith, (Henry G Bohn, London, 1840)
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Media ID 14927968
© The Print Collector / Heritage-Images
C J Smith Cj Smith J Knox John Knox Knox Pulpit Reformation Signature Smith
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EDITORS COMMENTS
This print takes us back to the 16th century, immersing us in the historical significance of John Knox's pulpit. The artist, C J Smith, beautifully captures the essence of this iconic piece located in the Parish Church of St Andrews, Fife, Scotland. The image showcases not only the magnificent craftsmanship of the pulpit itself but also presents a fascinating glimpse into history through the signatures of several eminent personages connected with Scotland's religious reformation. These signatures serve as tangible links to a time when religion played a pivotal role in shaping society. As we delve deeper into this monochrome masterpiece, we are reminded of Christianity's profound impact on Scottish culture during that era. The intricate details captured by Smith transport us to a time where faith was fervent and beliefs were passionately defended. Through this print, we can almost feel ourselves standing within those hallowed walls as John Knox once did. It is an invitation to explore our own connection with history and reflect upon how these events have shaped our present-day understanding of religion and spirituality. CJ Smith's artistry breathes life into these centuries-old manuscripts and reminds us that even in today's fast-paced world, there is great value in cherishing our past and learning from those who came before us.
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