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A Putto Seated on a Frame, ca. 1538-40. Creator: Girolamo Mazzola Bedoli
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A Putto Seated on a Frame, ca. 1538-40. Creator: Girolamo Mazzola Bedoli
A Putto Seated on a Frame, ca. 1538-40
Heritage Images features heritage image collections
Media ID 20285593
© Heritage Art/Heritage Images
Amorini Brush And Brown Wash Cherubim Frame Highlighted With White Gouache Looking Up Mannerism Pen And Brown Ink Angelic Cherubs Girolamo Mazzola Bedoli Pen And Ink Drawing Putti
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EDITORS COMMENTS
This print showcases the exquisite artwork of Girolamo Mazzola Bedoli in his piece titled "A Putto Seated on a Frame". Created between 1538 and 1540, this masterpiece is a true representation of Italian mannerism. The image depicts a cherubic putto, or angelic boy, seated gracefully on an ornate frame. Bedoli's attention to detail is evident in every stroke of pen and brown ink, as well as brush and brown wash. The subtle use of white gouache adds depth and highlights to the composition. This delicate technique brings life to the naked figure of the putto, emphasizing its innocence and purity. The artist's mastery lies not only in his skillful execution but also in capturing the essence of youthfulness. As we gaze upon this portrait, we are drawn into the cherub's gaze as he looks up with curiosity and wonderment. Displayed at The Metropolitan Museum of Art, this sixteenth-century artwork stands as a testament to Italy's rich artistic heritage. It serves as a reminder that art has no boundaries when it comes to time or place; it transcends centuries and connects us with our past. This print allows us to appreciate Bedoli's genius from wherever we may be located. Whether displayed within our homes or admired within museum walls, it invites us into a world where beauty knows no limits – where one person can capture our imagination through their creative expression.
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