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A Quack in the Right Place, 1864. Artist: John Tenniel
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A Quack in the Right Place, 1864. Artist: John Tenniel
A Quack in the Right Place; Or, What we Should Like to See, 1864. A quack doctor is pelted with his own preparations, together with carrots and the occasional dead cat. The potions ministered by quack doctors were almost always useless, and sometimes deadly. This cartoon accompanied an articles entitled How to Quash the Quacks. Three points were proposed: first that the Medical Council, which had the power to proceed against persons giving medical advice when not qualified to do so, should indeed take action. Secondly, the Courts should exercise their power to declare a nonsuit on any claimant of a fee for giving such unqualified advice. Thirdly, the press should not only refuse to print the advertisements of such quacks, but should expose their practices as much as possible. From Punch, or the London Charivari, 17th December, 1864
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Media ID 14830662
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Alternative Medicine Bombardment Bottle Bottles Carrot Cats Feline Felines Heritage Image Partnership John Tenniel Ordeal Punishment Quack Doctor Quack Remedy Sir John Tenniel Stocks Tenniel Vegetable Vegetables Metaphor Pelted
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A Quack in the Right Place, 1864
EDITORS COMMENTS
by John Tenniel is a powerful and satirical depiction of the consequences faced by fraudulent doctors during the 19th century. In this cartoon, a quack doctor finds himself in an unfortunate predicament as he is bombarded with his own ineffective potions, along with carrots and even the occasional dead cat. The artist uses metaphorical elements such as stocks and vegetables to symbolize punishment and mockery. During this era, quack doctors often peddled useless or dangerous remedies to unsuspecting patients. This print accompanied an article titled "How to Quash the Quacks" which proposed three points of action against these charlatans. Firstly, it suggested that qualified medical authorities should take legal action against individuals providing medical advice without proper qualifications. Secondly, courts should refuse to award fees for unqualified advice given by claimants. Lastly, the press was encouraged not only to reject advertising from quacks but also expose their practices. Tenniel's illustration serves as a scathing critique of alternative medicine practices prevalent at that time in Britain. By showing the quack doctor being pelted with his own concoctions alongside other objects like carrots and dead cats, Tenniel highlights both their ineffectiveness and potential harm caused by such treatments. This black-and-white engraving captures a significant moment in history when society began questioning traditional medical practices while advocating for stricter regulations within the field of healthcare. It stands as a testament to Sir John Tenniel's artistic prowess in conveying complex social issues through visual satire.
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