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Out of the Question, 1872. Artist: Joseph Swain
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Out of the Question, 1872. Artist: Joseph Swain
Out of the Question, 1872. The Butler, Mr Gladstone, considers giving notice to Britannia. She refuses to allow him to go until the Alabama Claim being pursued by America is settled. Gladstone, of course, was the Liberal Prime Minister at the time and the Alabama Claim dated back to the American Civil War. It had been prompted by the damage done to American commerce by the Alabama, a privateer fitted out in England. The main issue was whether England should have accepted responsibility for preventing the ship from leaving England. From Punch, or the London Charivari, May 4, 1872
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Media ID 14831564
© The Print Collector / Heritage-Images
Alabama American Civil War Britannia Butler Commerce Desk Gladstone Heritage Image Partnership John Tenniel Joseph Swain Liberal Liberal Party Mistress Office Prime Minister Refusal Sir John Tenniel Swain Tenniel William Ewart William Ewart Gladstone Allegorical Figure Servitude
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EDITORS COMMENTS
This print titled "Out of the Question, 1872" captures a powerful political moment in history. Created by artists Joseph Swain and John Tenniel, it features the Liberal Prime Minister at the time, William Ewart Gladstone, contemplating giving notice to Britannia. The scene depicts Britannia as an allegorical figure representing Britain's power and influence. The image is set in Gladstone's office, with him standing behind his desk while Britannia stands before him. The main issue being discussed is the Alabama Claim, which arose from damage caused to American commerce during the American Civil War by a privateer fitted out in England called the Alabama. The question at hand was whether England should have taken responsibility for preventing the ship from leaving its shores. Britannia refuses to let Gladstone go until this matter is settled, symbolizing her determination to protect British interests and maintain trade relations with America. This cartoon highlights not only political tensions but also explores themes of servitude and occupation through its depiction of a female allegorical figure exerting authority over a male politician. The monochrome aesthetic adds depth and intensity to this historical moment captured on paper. It serves as a reminder of 19th-century politics and how decisions made during that era shaped international relations between nations like Britain and America.
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