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Raising the Wind, 1805-12. 1805-12. Creator: Thomas Rowlandson

Raising the Wind, 1805-12. 1805-12. Creator: Thomas Rowlandson


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Raising the Wind, 1805-12. 1805-12. Creator: Thomas Rowlandson

Raising the Wind, 1805-12

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Media ID 19984714

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Alcohol Anti Jewish Anti Semitic Anti Semitism Borrowing Contract Drinking Gambler Gambling Irresponsibility Jewish Jews Judaism Mahajan Money Money Lender Moneylender Property R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Thomas Rowlandson Toast Toasting Aristocracy Aristocrat Deeds


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Money

> Popular Themes > Religious Images


EDITORS COMMENTS
The captivating print "Raising the Wind, 1805-12" by Thomas Rowlandson offers a fascinating glimpse into the social and cultural landscape of 19th century Britain. Depicting a lively scene filled with aristocrats, gamblers, and moneylenders, this etching explores themes of finance, irresponsibility, and societal divisions. Rowlandson's intricate artwork skillfully captures the essence of this era. The aristocracy is portrayed engaging in excessive drinking and toasting while indulging in gambling activities. The artist's satirical approach sheds light on their reckless behavior and highlights issues surrounding wealth disparity. However, it is important to note that this piece also contains elements of anti-Semitism. Rowlandson's portrayal of Jewish characters as moneylenders perpetuates harmful stereotypes prevalent during that time period. This aspect serves as a reminder of the prejudices deeply ingrained within society at large. Displayed at the Metropolitan Museum of Art, "Raising the Wind" invites viewers to reflect upon historical attitudes towards religion and class distinctions. It prompts us to consider how these perceptions shaped societal dynamics then and how they continue to influence our present-day understanding. As we engage with this thought-provoking artwork by Thomas Rowlandson, let us not only appreciate its artistic merit but also use it as an opportunity for introspection regarding our own biases and prejudices that persist today despite progress made over centuries.

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