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A Rakes Progress - 5: He Marries, 1733. Artist: William Hogarth
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A Rakes Progress - 5: He Marries, 1733. Artist: William Hogarth
A Rakes Progress - 5: He Marries, 1733. Tom Rakewell marries an old but rich woman, in order to retrieve his fortune. Meanwhile, in the background, Sarah Young with her mother and baby attempt to enter the church, whilst a couple of dogs in the foreground mimic the bride and groom. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
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Media ID 14972664
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A Rakes Progress Austin Dobson Bride Bridegroom Ceremony Dobson Georgian Groom Henry Austin Henry Austin Dobson Hogarth Morality Old Maid Sarah Young Tom Rakewell W Hogarth Wedding William Hogarth Metaphor Satirical
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EDITORS COMMENTS
In this print of "A Rakes Progress - 5: He Marries, 1733" by William Hogarth, we are transported back to the vibrant and satirical world of 18th century England. The artist masterfully depicts the complex web of human relationships and societal norms through his intricate composition. At the center of the image stands Tom Rakewell, a young man driven by greed and ambition. In a calculated move to regain his fortune, he marries an older but wealthy woman. However, as our eyes wander towards the background, we witness a poignant scene unfolding. Sarah Young, accompanied by her mother and baby, desperately tries to enter the church where Tom's marriage ceremony is taking place. The stark contrast between these two narratives highlights Hogarth's keen observation of society's moral decay. While Tom seeks financial gain in his loveless union, Sarah represents innocence and genuine affection that is overlooked or discarded for material wealth. Adding another layer of symbolism to this thought-provoking piece are two dogs in the foreground who mimic the bride and groom. This clever touch serves as a metaphor for how shallow and artificial some marriages can be when motivated solely by money or status. Through his sharp satire and attention to detail, Hogarth reminds us that true happiness cannot be bought or manufactured; it lies within genuine connections based on love and compassion rather than superficial gains. This print serves as both a historical document capturing Georgian-era fashion and customs while also delivering timeless commentary on human nature itself.
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