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A (Real) German Defeat, 1870. Artist: Joseph Swain
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A (Real) German Defeat, 1870. Artist: Joseph Swain
A (Real) German Defeat, 1870. This cartoon shows the Princess Louise and her betrothed, the Lord of Lorn (John Campbell). For the first time, a Royal Princess was being permitted to marry a subject rather than a member of one of the European royal families. In its accompanying poem, Punch asks if this is because Germany is not producing any princes of sufficient quality. From Punch, or the London Charivari, October 29, 1870
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Media ID 14831478
© The Print Collector / Heritage-Images
9th Duke Of Argyll Argyll Betrothal Betrothed Campbell Duchess Of Duchess Of Argyll Heritage Image Partnership John Campbell John Douglas Sutherland John Tenniel Joseph Swain Kilt Louise Marquis Of Lorne Princess Princess Louisa Princess Louise Romance Sir John Tenniel Sporran Swain Tenniel Scots
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EDITORS COMMENTS
This print captures a significant moment in history, titled "A (Real) German Defeat, 1870". Created by Joseph Swain, this cartoon depicts Princess Louise and her betrothed, the Lord of Lorn (John Campbell). It marks a groundbreaking event as it was the first time a Royal Princess was allowed to marry a subject rather than someone from one of Europe's royal families. The accompanying poem published in Punch on October 29,1870 raises an intriguing question: is Germany lacking princes of sufficient quality? This satirical caricature reflects the prevailing sentiment at that time. The image showcases elements of war, soldiering, royalty, romance, and love. Princess Louise is portrayed wearing Scottish attire including a kilt while her betrothed dons traditional German clothing. The significance of this artwork lies not only in its historical context but also in its representation of societal norms being challenged. By choosing to marry outside European royalty circles, Princess Louise defied tradition and set a new precedent for future generations. Through this monochrome engraving created during the nineteenth century by Joseph Swain with contributions from John Campbell and John Tenniel, we are transported back to witness this pivotal moment. It serves as a reminder that love knows no boundaries or restrictions imposed by society or class.
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