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Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622
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Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622
Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico
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Media ID 20565923
© Heritage Art/Heritage Images
Battista Franco Battista Franco Veneziano Centaur Chariot Cut Out Enea Enea Vico Ex Antiquis Cameorum Giovanni Battista Franco Half Beast Half Man Lying Down Mythical Beasts Philippe Philippe Thomassin Reclining Thomassin Thomassin Philippe Veneziano Veneziano Battista Franco Vico Vico Enea Mythical Beast Mythical Creature Nakedness
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EDITORS COMMENTS
This print captures a captivating scene from the 16th century, titled "Reclining Female Figure on a Chariot drawn by Two Centaurs". Originally attributed to Enea Vico but now credited to an unknown artist, this engraving showcases the remarkable talent of Battista Franco Veneziano. The image depicts a reclining female figure lying gracefully on a chariot, which is being pulled by two centaurs - mythical creatures that are half man and half beast. The composition exudes elegance and mystery as the woman rests in her regal pose. Her nakedness symbolizes vulnerability while also highlighting her beauty. The intricate details of the engraving bring life to every element, from the flowing robes of the female figure to the muscular bodies of the centaurs. This artwork belongs to a series called "Ex Antiquis Cameorum" and is housed in the Metropolitan Museum of Art. Its historical significance lies not only in its artistic excellence but also in its representation of mythology and ancient Roman culture. As we gaze upon this mesmerizing print, we are transported back in time, marveling at how art has preserved stories and legends for centuries. It serves as a reminder that even though its creator remains unknown, their work continues to captivate audiences with its timeless allure.
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