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The Rejection of Joachims Offering, 1506 (1906). Artist: Albrecht Durer

The Rejection of Joachims Offering, 1506 (1906). Artist: Albrecht Durer


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The Rejection of Joachims Offering, 1506 (1906). Artist: Albrecht Durer

The Rejection of Joachims Offering, 1506 (1906). A scene from the Life of the Virgin. From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

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Media ID 14963514

© The Print Collector

Albert Durer Albrecht Albrecht Durer Durer Hebrew Jewish Joachim Judaism Offering Priest Rejecting Rejection Sacrifice Saint Joachim St Joachim


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > Albrecht Durer > Fine art prints

> Arts > Artists > Albrecht Durer > Religious art

> Arts > Artists > Albrecht Durer > Renaissance art

> Arts > Artists > Albrecht Durer

> Arts > Artists > D > Albrecht Durer

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Germany > Leipzig

> Europe > Germany > Posters


EDITORS COMMENTS
The Rejection of Joachim's Offering, 1506 (1906) by Albrecht Durer captures a poignant scene from the Life of the Virgin. In this powerful artwork, we witness a moment of deep religious significance and emotional turmoil. The print depicts Joachim, a devout man offering his sacrifice at the temple, only to be rejected by the priest. Durer's meticulous attention to detail and masterful use of monochrome creates a striking visual impact. The black and white composition emphasizes the dramatic intensity of the rejection, highlighting Joachim's despair and vulnerability as he kneels before an unyielding figure. This artwork explores themes that transcend time and place - faith, sacrifice, rejection - resonating with viewers across centuries. It reflects both Christian and Jewish traditions as it delves into complex interfaith dynamics during the Renaissance period in Germany. The historical context adds depth to our understanding of this piece; it was created in 1506 but reproduced in 1906 for wider dissemination through Durer Des Meisters Gemalde Kupferstiche und Holzschnitte collection. Its inclusion in this renowned publication solidifies its status as an important work within German art history. As we contemplate 'The Rejection of Joachim's Offering, ' we are reminded not only of artistic brilliance but also how art can provoke contemplation on profound human experiences.

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