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Rembrandt as a Shepherd with a Staff and Flute, c.1636. Creator: Govaert Flinck
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Rembrandt as a Shepherd with a Staff and Flute, c.1636. Creator: Govaert Flinck
Rembrandt as a Shepherd with a Staff and Flute, c.1636
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Media ID 36347093
© Heritage Art/Heritage Images
Draughtsman Dutch Golden Age Earring Earrings Flinck Govaert Flinck Govaert Teuniszoon Flute Govaert Flinck Govaert Teuniszoon Flinck Govert Flinch Govert Flinck Govert Flink Half Length Length Mustache Paul Rembrandt Van Ryn Printmaker Rembrandt Rembrandt Harmensz Van Rijn Rembrandt Harmenszoon Van Rijn Rembrandt Van Rijn Rembrant Van Rijn Rijn Rembrandt Harmensz Van Shepherd Staff Van Rijn Rembrandt Harmensz Van Ryn Paul Rembrandt Walking Staff Golden Age
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EDITORS COMMENTS
This 17th-century print, titled "Rembrandt as a Shepherd with a Staff and Flute" by Govaert Flinck, showcases the Dutch artist in an unexpected role. Dated around 1636, this intriguing image is a testament to the artistic camaraderie between Flinck and his famous contemporary, Rembrandt van Rijn. Set against a lush, green backdrop, Rembrandt is depicted as a shepherd, holding a staff in one hand and a flute to his lips in the other. His long, curly beard and moustache, adorned with an earring in each ear, frame his thoughtful expression. The half-length portrait, painted in oil on canvas, is a departure from the traditional depictions of Rembrandt as a painter or a draughtsman. Instead, it presents him as a humble shepherd, perhaps a nod to the Baroque era's appreciation for the simple pleasures of rural life. Govaert Flinck, a talented painter and printmaker in his own right, masterfully captures the essence of Rembrandt's character in this unconventional portrait. The use of rich, vibrant colors and intricate details in the landscape, as well as the subtle textures in Rembrandt's clothing and facial hair, add depth and dimension to the image. As a significant work of art from the Dutch Golden Age, "Rembrandt as a Shepherd with a Staff and Flute" is a valuable addition to any collection focusing on European art, agriculture, or portraiture. This print is a testament to the artistic collaboration and friendship between two of the most influential artists of the Baroque era, and a reminder of the enduring appeal of the simple pleasures of rural life.
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