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Rentier type, 1840. Creator: Grandville, Jean-Jacques (1803-1847)

Rentier type, 1840. Creator: Grandville, Jean-Jacques (1803-1847)


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Rentier type, 1840. Creator: Grandville, Jean-Jacques (1803-1847)

Rentier type, 1840. Found in the Collection of Maison de Balzac

Heritage Images features heritage image collections

Media ID 19782715

© Fine Art Images/Heritage Images

Abundance Affluence Bank Bourgeoisie Cornucopia Depts Exchange Financier Grandville Jean Jacques 1803 1847 Luxuriancy Maison De Balzac Money Opulence Prosperity Riche Riches Richness Stinginess Stock Exchange Wealth Wealthiness


EDITORS COMMENTS
This print showcases the "Rentier type" from 1840, created by the talented Jean-Jacques Grandville. The artwork can be found in the esteemed Collection of Maison de Balzac, offering a glimpse into the world of wealth and abundance during that era in France. The image depicts a caricature-like figure representing a rentier, someone who lives off their investments or rental income. This individual is surrounded by symbols of prosperity and opulence, emphasizing their affluence and financial success. A cornucopia overflowing with money serves as a striking visual metaphor for their abundant wealth. Through meticulous lithography techniques, Grandville's fine art piece captures not only the material richness but also satirizes certain aspects of bourgeois society prevalent at the time. The graphic arts employed here highlight both the grandeur and stinginess associated with this privileged class. As we delve into this remarkable print, it becomes evident that it offers more than just an aesthetic experience; it provides insight into societal values surrounding money and finance in 19th-century France. It prompts us to reflect on themes such as exchange, stock markets, riches, and even debt within this specific context. With its intricate details and thought-provoking symbolism, this print invites viewers to explore notions of wealthiness beyond mere accumulation – delving into questions about luxury versus necessity while appreciating Grandville's artistic prowess.

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