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Returning Peasants in a Spring Evening, early 1600s. Creator: Tao Hong (Chinese, active c

Returning Peasants in a Spring Evening, early 1600s. Creator: Tao Hong (Chinese, active c


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Returning Peasants in a Spring Evening, early 1600s. Creator: Tao Hong (Chinese, active c

Returning Peasants in a Spring Evening, early 1600s. Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields. The shallow stream and dormant rice fields, the returning birds, and light sprinkles of green foliage all indicate the beginning of the farming season and hope for a good harvest. While this leaf depicts rural life, the second one, 1999.224, is of a more poetic nature. A lone crane stands in a bamboo grove. By using light colours and nuanced brushwork, Tao Hong achieves an effect of natural light and luminosity

Heritage Images features heritage image collections

Media ID 19637722

© Heritage Art/Heritage Images

1368 1644 Active C Album Leaf Ink And Colour On Silk Ming Dynasty


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Gruiformes > Cranes > Related Images

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Europe > United Kingdom > England > Cleveland

> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings


Returning Peasants in a Spring Evening, early 1600s

EDITORS COMMENTS
is a captivating print by Tao Hong, an artist whose talent has unfortunately faded into obscurity over time. In this artwork, Tao Hong beautifully captures the essence of rural life as he portrays farmers making their way back home after a long day toiling in the fields. The scene is set against the backdrop of a shallow stream and dormant rice fields, symbolizing the arrival of spring and the anticipation of a bountiful harvest. The artist's meticulous brushwork and delicate use of color create an atmosphere that exudes tranquility and hope. As birds return to their nests and green foliage begins to sprout, there is an undeniable sense of renewal in the air. Tao Hong's masterful technique allows natural light to permeate through his composition, infusing it with luminosity that adds depth and realism. While this leaf offers us a glimpse into everyday rural life during China's Ming Dynasty (1368-1644), another piece by Tao Hong titled "1999.224" takes on a more poetic nature. It depicts a solitary crane standing amidst bamboo groves using similar techniques to evoke serenity and grace. Preserved within The Cleveland Museum of Art's collection, these artworks from Heritage Art/Heritage Images allow us to appreciate Tao Hong's artistic prowess while immersing ourselves in ancient Chinese culture.

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