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Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38. Creator: Ando Hiroshige. Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38
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Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38. Creator: Ando Hiroshige. Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38
Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", c. 1837/38
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Media ID 36207894
© Heritage Art/Heritage Images
Nautical Return Returning Sailing Boats Ando Hiroshige Ando Utagawa Hiroshige Calligraphy Color Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Oban Utagawa Hiroshige
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Returning Sails at Gyotoku
EDITORS COMMENTS
is a captivating and intricately detailed color woodblock print from the renowned series "Eight Views in the Environs of Edo" created by the Japanese artist Ando Hiroshige between 1837 and 1838. This masterpiece, also known as "Gyotoku no kihan," depicts a serene scene of boats returning to the harbor at Gyotoku in Chiba, Japan, against the backdrop of a tranquil sea and a vibrant sunset. The print showcases the skillful use of color and composition that characterizes the Ukiyo-e artistic school. The boats, skillfully rendered with delicate brushstrokes and intricate details, cut through the calm waters, their sails billowing in the wind, adding a sense of movement and dynamism to the otherwise static scene. The sun, setting behind the horizon, casts a warm glow over the landscape, bathing the boats and the surrounding geographical feature in a rich palette of reds, oranges, and yellows. The title "Gyotoku no kihan" translates to "the headland of Gyotoku," a reference to the rocky outcropping in the foreground that serves as a natural landmark for sailors returning to the harbor. The print also features calligraphy in the top left corner, which reads "Edo kinko hakkei no uchi," meaning "Eight Views in the Environs of Edo." This print is a testament to Hiroshige's mastery of the woodblock printing technique and his ability to capture the essence of the natural world and the human experience in his art. It is a valuable addition to any collection of Asian art and a reminder of the rich cultural heritage of Japan during the Edo and Tokugawa periods.
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