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Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38. Creator: Ando Hiroshige. Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38
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Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38. Creator: Ando Hiroshige. Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the... c. 1837/38
Returning Sails at Gyotoku (Gyotoku no kihan), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", c. 1837/38
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Media ID 36212209
© Heritage Art/Heritage Images
Fisherfolk Fisherman Fishermen Fishing Fishing Boat Fishing Boats Return Returning Sailing Boats Ando Hiroshige Ando Utagawa Hiroshige Calligraphy Color Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Oban Utagawa Hiroshige
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EDITORS COMMENTS
Returning Sails at Gyotoku" is a captivating woodblock print from the renowned series "Eight Views in the Environs of Edo" created by Ando Hiroshige between 1837 and 1838. This masterpiece, also known as "Gyotoku no kihan," showcases the picturesque scene of fishermen returning to the village of Gyotoku in Chiba, Japan, after a successful day at sea. The print, set against the backdrop of the Oban format, brilliantly captures the essence of the Edo Period (1603-1868) and the Tokugawa Shogunate era. The artist's meticulous attention to detail is evident in the intricate depiction of the boats, their sails billowing in the wind, and the fisherfolk skillfully navigating the shallow waters. The vibrant colors and the contrast between the deep blues of the sea and the earthy tones of the landscape create a stunning visual effect. The calligraphy in the upper left corner, written in traditional Japanese script, adds an artistic touch to the print and further emphasizes its cultural significance. The scene is a testament to the daily life and livelihood of the fishermen during this period, providing a valuable glimpse into Japan's rich history. This woodblock print is a prime example of Hiroshige's exceptional talent and his contribution to the Ukiyo-e artistic school. It is a must-see for anyone interested in Asian art, particularly those with a focus on Japanese heritage and the 19th century. The Art Institute of Chicago is fortunate to have this magnificent piece in its collection, allowing us to appreciate the beauty and historical significance of this masterpiece.
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