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Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon


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Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon

Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

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Media ID 14985213

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Abbey Af Lydon Alexander Francis Alexander Francis Lydon Alexander Lydon Cistercian Disrepair Frederick Frederick Ross Hillside Lydon Mackenzie North Yorkshire Rievaulx Rievaulx Abbey Ross Ruined Abbeys Of Britain Sunlight William Mackenzie


FEATURES IN THESE COLLECTIONS

> Architecture > Country > England

> Architecture > Religious

> Arts > Artists > A > Francis Alexander

> Arts > Artists > A > William Alexander

> Arts > Artists > M > Frederick Mackenzie

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Arts > Literature


EDITORS COMMENTS
This black and white lithograph captures the enchanting beauty of Rievaulx Abbey, a Cistercian ruin nestled amidst the picturesque countryside of North Yorkshire, England. The artist, Alexander Francis Lydon, skillfully portrays the architectural grandeur of this 12th-century abbey that has stood the test of time. The print showcases a serene hillside adorned with lush trees basking in sunlight. Three figures can be seen exploring the ruins; a woman gracefully walks alongside two children while a man observes from afar. Their presence adds depth to the image and evokes a sense of wonderment at the historical significance held within these ancient walls. Rievaulx Abbey's disrepair is evident through its crumbling exterior, yet it exudes an undeniable charm that draws viewers into its rich history. This print is part of "The Ruined Abbeys of Britain" collection by Frederick Ross, published in 1897 by William Mackenzie in London. As one gazes upon this lithograph, they are transported back to a bygone era where religion and architecture intertwined harmoniously. It serves as a reminder not only of our cultural heritage but also as an appreciation for nature's ability to reclaim what was once man-made. With its meticulous detail and atmospheric depiction, this print is truly a testament to both Lydon's artistic prowess and Rievaulx Abbey's enduring allure.

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