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Rome, Tituss Garden-Lucius Pursued by Lavinia (Shakespeare

Rome, Tituss Garden-Lucius Pursued by Lavinia (Shakespeare


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Rome, Tituss Garden-Lucius Pursued by Lavinia (Shakespeare

Rome, Tituss Garden-Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1), first published 1793; reissued 1852

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Media ID 20289597

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Incense Incense Burner Kirk Shakespeare Shakespeare William Shakspeare Stipple Engraving Veil William Shakespeare Titus Andronicus


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > William Shakespeare

> Arts > Artists > W > William White

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
The captivating print titled "Rome, Tituss Garden-Lucius Pursued by Lavinia" takes us back to the dramatic world of Shakespeare's play, Titus Andronicus. This engraving, first published in 1793 and reissued in 1852 by Thomas Kirk, beautifully captures a pivotal scene from Act 4, Scene 1. In this intense moment, we witness the pursuit of Lucius by Lavinia through the lush garden of Rome. The artist skillfully portrays the tension and urgency on their faces as they navigate through the ancient Roman landscape. The detailed stipple engraving technique adds depth and texture to every element of this historic depiction. As we delve into this piece further, we are transported to a time when drama was at its peak in British culture during the eighteenth and nineteenth centuries. The Metropolitan Museum of Art proudly houses this heritage artwork that showcases both male and female characters immersed in Shakespearean tragedy. The image also highlights Italy's influence on British art with its portrayal of Roman architecture amidst an incense-filled atmosphere. A veil-clad woman adds an air of mystery while men observe from afar. Thomas Kirk's masterful rendition invites us to explore not only Shakespeare's timeless work but also the artistic techniques prevalent during his time period. It serves as a reminder that even centuries later, these cultural treasures continue to captivate audiences worldwide at renowned institutions like The Met.

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