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Sakanoshita: Kannon in the Cave (Sakanoshita, Gankutsu no Kannon), no. 49 from the series... 1855. Creator: Ando Hiroshige
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Sakanoshita: Kannon in the Cave (Sakanoshita, Gankutsu no Kannon), no. 49 from the series... 1855. Creator: Ando Hiroshige
Sakanoshita: Kannon in the Cave (Sakanoshita, Gankutsu no Kannon), no. 49 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue), " also known as the Vertical Tokaido, 1855
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Media ID 36209972
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Avalokiteshvara Avalokitesvara Bodhisattva Cartouche Cave Caves Gorge Guan Yin Guanyin Kannon Kuan Yin Mountainside Padmapani Path Sakanoshita Shukuba Tokaido Trade Route Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Estuary Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Oban Utagawa Hiroshige
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Sakanoshita: Kannon in the Cave," also known as "Gankutsu no Kannon" (The Cave Kannon) from Ando Hiroshige's famous series "Famous Sights of the Fifty-three Stations of the Tokaido Road" (Gojusan tsugi meisho zue), is a captivating color woodblock print dating back to 1855. This exquisite work of art, created by the renowned Japanese artist Ando Hiroshige (1797-1858), showcases the 49th station of the Tokaido Road, located in Sakanoshita, Japan. The print depicts a serene landscape of a mountainside with a cave entrance, believed to be the dwelling place of the Bodhisattva Kannon, also known as Avalokiteshvara or Guanyin. The deity is often represented as a goddess of compassion and mercy in Buddhism. In this print, the figure of Kannon is shown in the cave, surrounded by attentive male figures, possibly monks or pilgrims, who pay their respects. The background of the print is filled with intricate details, including the winding road leading up to the cave, the lush greenery, and the tranquil water of the estuary in the distance. The use of color is masterful, with the grey tones of the cave contrasting beautifully with the vibrant greens and blues of the surrounding landscape. The cartouche at the bottom of the print includes the title, "Sakanoshita Kannon," and the artist's name, "Hiroshige," written in elegant calligraphy. The print is an excellent example of the Oban size, a common format for Hiroshige's works. This stunning piece of art is a testament to the rich artistic heritage of Japan during the Edo period and continues to captivate viewers with its intricate details and spiritual depth. The print is currently housed in the Art Institute of Chicago, where it is a cherished addition to their extensive collection of Asian art.
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