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Sakuragawa, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Sakuragawa, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Sakuragawa, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka. Sakuragawa, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka


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Sakuragawa, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Sakuragawa, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Sakuragawa, from the series "Pictures of No Performances (Nogaku Zue)", 1898

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Media ID 24372153

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EDITORS COMMENTS
This print titled "Sakuragawa, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" transports us back to the vibrant world of Japanese theater in the late 19th century. Created by Kogyo Tsukioka, a renowned artist of his time, this piece captures the essence and allure of traditional Noh performances. The image showcases a male actor dressed as a female character, known as an onnagata or oyama. With meticulous attention to detail, Tsukioka skillfully depicts the actor's elaborate costume and delicate mask. The full-length composition allows us to appreciate every aspect of this mesmerizing portrayal. During Japan's Edo period and into the Meiji era, Noh theater was highly regarded for its refined artistry and poetic storytelling. This woodblock print exemplifies Tsukioka's mastery in capturing both the physicality and emotional depth required for such performances. As we gaze upon this artwork at the Art Institute Chicago or any other esteemed art gallery that houses it, we are transported to another time and place. We can almost hear the haunting melodies of ancient music accompanying these theatrical spectacles. Tsukioka's work serves as a testament to Japan's rich cultural heritage while also challenging societal norms through cross-dressing portrayals. It is an exquisite representation not only of artistic excellence but also of historical significance within Japanese performing arts. Through this remarkable piece, we are reminded that art has no boundaries – it transcends time and space to connect us with diverse cultures and traditions across centuries.

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