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Salome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). Artist: Albrecht Durer
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Salome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). Artist: Albrecht Durer
Salome Presenting the Head of St John the Baptist to Herodias, 1511 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]
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Media ID 14928796
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Albert Durer Albrecht Albrecht Durer Beheaded Beheading Bible Scene Decapitated Decapitation Durer Herodias Jewish John The Baptist Judaism Killed Martyr Martyrdom Platter Presenting Religious Persecution Saint John Saint John The Baptist Salome St John St John The Baptist 1st Century Biblical
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EDITORS COMMENTS
The captivating print of "Salome Presenting the Head of St John the Baptist to Herodias" by Albrecht Durer transports us back in time to 16th century Germany. This powerful artwork depicts a pivotal moment from biblical history, where Salome, a young German woman, carries the severed head of St John the Baptist on a platter. Durer's attention to detail and mastery of woodcut technique bring this scene to life. The monochrome black and white composition adds an eerie quality, emphasizing the gravity of this religious event. The artist skillfully captures both the horror and fascination on Salome's face as she presents her gruesome offering. This piece not only reflects Durer's artistic brilliance but also highlights themes of faith, martyrdom, and religious persecution prevalent during that era. It serves as a reminder of Christianity's deep roots in German culture and its enduring impact on society. The intricate furniture depicted in the background further immerses us in Renaissance aesthetics while symbolizing wealth and power associated with Herodias' court. Through his artistry, Durer invites viewers to contemplate moral dilemmas surrounding loyalty, duty, and personal sacrifice. As we gaze upon this historic print today, it is impossible not to be moved by its timeless message. It stands as a testament to Durer's genius as well as our collective human fascination with religion, mortality, and the complexities of faith.
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