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Samuel Murray Astride Eakins Horse "Billy", c. 1892. Creator: Thomas Eakins

Samuel Murray Astride Eakins Horse 'Billy', c. 1892. Creator: Thomas Eakins


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Samuel Murray Astride Eakins Horse "Billy", c. 1892. Creator: Thomas Eakins

Samuel Murray Astride Eakins Horse " Billy", c. 1892

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Media ID 22165599

© Heritage Art/Heritage Images

Bareback Rider Eakins Thomas Eakins Thomas Cowperthwait Eakins Thomas Cowperthwaite Hirshhorn Museum And Sculpture Garden Murray Samuel Platinum Print Platinum Print On Paper Samuel Murray Thomas Cowperthwait Eakins Thomas Cowperthwaite Eakins Thomas Eakins Nakedness Nudity


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Arts > Street art graffiti > Portraits > Portrait photography


EDITORS COMMENTS
This photo print, titled "Samuel Murray Astride Eakins Horse 'Billy', c. 1892" captures a moment frozen in time by the talented American artist Thomas Eakins. The photograph showcases Samuel Murray, a courageous bareback rider, confidently astride his majestic horse named Billy. Taken in the late 19th century, this platinum print on paper emanates an air of nostalgia and historical significance. It is housed within the prestigious Hirshhorn Museum and Sculpture Garden at the Smithsonian Institution, showcasing its importance as part of America's artistic heritage. Eakins' expertise in photography shines through in this portrait-style image. The profile view allows us to appreciate both man and horse as they form a harmonious bond during their equestrian journey together. Murray's nude figure adds an element of vulnerability and rawness to the composition, emphasizing his connection with nature and highlighting the physical demands of horsemanship. Beyond its aesthetic appeal, this photograph also serves as an educational tool for understanding life in 19th-century America. It offers insights into country living, scientific institutions like riding schools or academies that provided education on horsemanship skills. As we gaze upon this remarkable piece of artistry by Thomas Eakins, we are transported back to a different era—a time when horses were not just modes of transportation but trusted companions who carried men like Samuel Murray on thrilling adventures across vast landscapes.

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