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Scene from the Story of Buddha Ushnisha, from a Set of Initiation Cards (Tsakali)

Scene from the Story of Buddha Ushnisha, from a Set of Initiation Cards (Tsakali)


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Scene from the Story of Buddha Ushnisha, from a Set of Initiation Cards (Tsakali)

Scene from the Story of Buddha Ushnisha, from a Set of Initiation Cards (Tsakali), 14th/15th century

Heritage Images features heritage image collections

Media ID 24371457

© Heritage Art/Heritage Images

Balconies Balcony Bhishti Bhisti Buddhist Buddhists Card Folk Art Initiation Card Ink And Watercolour On Paper Na And Xef Naive Art Ritual Object Terrace Tibet Tibetan Tibetan Buddhism Tsakali Card Tsakalis Ve Art Water Carrier


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> Animals > Related Images

> Architecture > Religious

> Architecture > Styles > Buddhist Architecture

> Arts > Still life artwork > Watercolor paintings > Animal paintings

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Watercolor paintings > Animal watercolors > Pet portraits in watercolor

> Arts > Watercolor paintings

> Popular Themes > Religious Images

> Popular Themes > Tibetan Art

> Religious Art > Religious Architecture


EDITORS COMMENTS
This 14th/15th-century print titled "Scene from the Story of Buddha Ushnisha" transports viewers to ancient Tibet, offering a glimpse into the rich heritage and religious practices of Tibetan Buddhism. The artwork, part of a set of initiation cards known as Tsakali, showcases intricate ink and watercolor techniques on paper. In this particular scene, a male figure stands on a balcony overlooking a bustling cityscape. His hand gestures suggest he may be engaged in an important ritual or religious ceremony. A faithful dog accompanies him, symbolizing loyalty and companionship. The architectural features of the buildings surrounding him are meticulously detailed, showcasing the artistic skill and attention to detail prevalent during this period. Balconies adorned with vibrant colors add depth to the composition while reflecting traditional Tibetan architecture. As we delve deeper into this piece, we discover that the man is likely a bhishti (water carrier) by profession. This intriguing juxtaposition between his occupation and involvement in Buddhist rituals adds layers of complexity to his character. Through its naive art style and folkloric elements, this painting captures both historical significance and spiritual devotion. It serves as an invaluable artifact for those interested in exploring Asian arts at institutions like the Art Institute Chicago or delving into cultural narratives rooted in religion across centuries.

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