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The Second Ichikawa Monnosuke as a Man of High Rank Standing in the Snow, ca. 1786-87. Creator: Shunsho
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The Second Ichikawa Monnosuke as a Man of High Rank Standing in the Snow, ca. 1786-87. Creator: Shunsho
The Second Ichikawa Monnosuke as a Man of High Rank Standing in the Snow, ca. 1786-87
Heritage Images features heritage image collections
Media ID 23884118
© Heritage Art/Heritage Images
Geta Ichikawa Benzo I Ichikawa Monnosuke Ichikawa Monnosuke Ii Ink And Color On Paper Ishikawa Monosuke Ii Katsukawa Shunshō Miyagawa Shunsho Miyakawa Shunsho Monnosuke Ichikawa Monosuke Ishikawa Platform Shoes Platforms Shoe Shoes Shunsho Shunsho Katsukawa Shunsho Miyagawa Shunsho Miyakawa Takinaka Hidematsu Ii Takinaka Tsuruzo Polychrome Woodblock Print
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EDITORS COMMENTS
This woodblock print, titled "The Second Ichikawa Monnosuke as a Man of High Rank Standing in the Snow" transports us to the vibrant world of 18th-century Japan. Created by Shunsho, a renowned artist from the Edo period, this artwork showcases his mastery in capturing both the essence of theatrical performance and the beauty of nature. In this scene, we see Ichikawa Monnosuke II, an esteemed actor known for his versatile roles and exceptional talent. Dressed in exquisite traditional clothing that reflects his high rank, he stands confidently amidst a snowy landscape. The polychrome colors delicately applied on paper bring life to every detail - from Monnosuke's elegant attire to the intricate patterns adorning it. Monnosuke's footwear is particularly eye-catching; he dons geta, platform shoes commonly worn during this era. These elevated wooden sandals not only protect him from the snow but also add an element of grandeur to his appearance. Shunsho's skillful use of ink and color creates a sense of depth and texture throughout the composition. The contrast between Monnosuke's vivid costume against the serene white backdrop evokes a feeling of isolation while emphasizing his prominence as a man of high rank. As we admire this remarkable piece at The Metropolitan Museum of Art today, we are reminded not only of Shunsho's artistic brilliance but also how ukiyo-e prints like these served as windows into Japanese culture during their time.
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