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Second Month: Matsuchi Hill in Snow at Dusk (Kisaragi, Matsuchiyama yuki no tasogare), fro... 1896. Creator: Kobayashi Kiyochika
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Second Month: Matsuchi Hill in Snow at Dusk (Kisaragi, Matsuchiyama yuki no tasogare), fro... 1896. Creator: Kobayashi Kiyochika
Second Month: Matsuchi Hill in Snow at Dusk (Kisaragi, Matsuchiyama yuki no tasogare), from the series " True Views of Famous Places in Tokyo (Tokyo meisho shinkei no uchi)", Japan, 1896
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Media ID 25324868
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Adversity Bushu Province Cartouche Cold Crossing Dusk Evening February Ferry Ferry Boat Ferryman Frozen Kanto Japan Kiyochika Kobayashi Kobayashi Kiyochika Matsuchi Hill Meiji Era Meiji Period Month Musashi Musashi Province Oban Triptych Passenger Passengers Province Provincial Tokyo Japan Triptych Twilight Color Woodblock Print Oban
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Second Month - Matsuchi Hill in Snow at Dusk (Kisaragi, Matsuchiyama yuki no tasogare), from the series 'True Views of Famous Places in Tokyo (Tokyo meisho shinkei no uchi)', Japan, 1896
EDITORS COMMENTS
. This print by Kobayashi Kiyochika transports us to a serene winter scene in 19th century Japan. The artist masterfully captures the essence of dusk as snow blankets Matsuchi Hill, creating a tranquil and ethereal atmosphere. The color woodblock print showcases Kiyochika's artistic prowess and attention to detail. The cold hues of blue and white evoke the chilly February evening, while delicate brushstrokes bring life to every element of the landscape. From the frozen river cutting through Musashi Province to the hills that stand majestically against the fading light, each feature is meticulously portrayed. In this snapshot of Meiji Era Japan, we see a group of passengers crossing on a ferry boat manned by a dedicated ferryman. Their presence adds depth and human connection to an otherwise untouched natural setting. As they make their way across the river, their figures become silhouettes against the snowy backdrop. This artwork not only serves as a visual representation but also provides insight into Japanese culture during this period. It offers viewers an opportunity to appreciate both Kiyochika's technical skill and his ability to capture fleeting moments in time. Displayed at Art Institute Chicago's gallery for Arts of Asia, this piece stands as a testament to Kiyochika's legacy as one of Japan's most celebrated artists. Its enduring beauty continues to captivate audiences today with its evocative portrayal of nature and everyday life in historical Japan.
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