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Section of Monolithic Railing with Bather and Lotus Medallions, c. 150-250. Creator: Unknown

Section of Monolithic Railing with Bather and Lotus Medallions, c. 150-250. Creator: Unknown


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Section of Monolithic Railing with Bather and Lotus Medallions, c. 150-250. Creator: Unknown

Section of Monolithic Railing with Bather and Lotus Medallions, c. 150-250. Railings demarcated a sacred space, such as a tree shrine or a stupa. Images associated with purifying waters were carved on the railings, as if to symbolically cleanse those who passed through the gate. Lotus and blue lily--flowers that grow in water--are the most common motif. Under a fruit-bearing tree is a young woman squeezing water from her hair. In a visual depiction of an ancient Indian poetic trope, a goose mistakes the drops of water for pearls and comes to eat them. In the windows above, carved on the coping stone, are two voyeurs and a bowl made of leaves filled with flower garlands, which would be used to adorn the sacred site

Heritage Images features heritage image collections

Media ID 19641492

© Heritage Art/Heritage Images

Kushan Period Mathura Red Sandstone


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> Asia > India > Related Images

> Europe > United Kingdom > England > Cleveland


EDITORS COMMENTS
This print showcases a mesmerizing section of Monolithic Railing with Bather and Lotus Medallions, dating back to the Kushan period in ancient India (c. 150-250). The railings served as sacred boundaries, enclosing spaces like tree shrines or stupas. To symbolically purify those who passed through the gate, intricate carvings depicting images associated with cleansing waters adorned the railings. The most prevalent motif found on these railings is that of lotus and blue lily flowers - both known for their growth in water. In this particular section, we witness a young woman standing beneath a fruit-bearing tree, gracefully squeezing water from her hair. This visual representation beautifully captures an ancient Indian poetic trope where drops of water are mistaken by a goose for pearls, enticing it to come closer and feast upon them. Above this enchanting scene lies two voyeuristic figures carved into windows on the coping stone. Adjacent to them rests a bowl made entirely out of leaves filled with delicate flower garlands - intended to adorn the sacred site. Crafted from red sandstone during an era when artistry flourished in Mathura, this sculpture now finds its home at The Cleveland Museum of Art. Although its creator remains unknown, Heritage Art has skillfully captured and preserved this remarkable piece through their photography expertise.

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