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The seventh seal and the first four trumpets. From the Apocalypse (Revelation of John), 1511. Creator: Dürer, Albrecht (1471-1528)

The seventh seal and the first four trumpets. From the Apocalypse (Revelation of John), 1511. Creator: Dürer, Albrecht (1471-1528)


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The seventh seal and the first four trumpets. From the Apocalypse (Revelation of John), 1511. Creator: Dürer, Albrecht (1471-1528)

The seventh seal and the first four trumpets. From the Apocalypse (Revelation of John), 1511. Found in the Collection of the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek Dresden

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Media ID 38076354

© Fine Art Images/Heritage Images

Albrecht 1471 1528 Apocalypse Apocalypsis Cum Figuris Drer Durer Graphics Revelation Of John Woodcut Watercolour


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EDITORS COMMENTS
This striking print by Albrecht Dürer depicts The seventh seal and the first four trumpets from the Apocalypse (Revelation of John) in 1511. The intricate woodcut watercolour showcases Dürer's mastery of detail and symbolism, capturing the dramatic events described in the biblical text. The image is filled with rich symbolism, as each trumpet blast heralds a catastrophic event that signals the end times. From hail and fire mixed with blood to a burning mountain cast into the sea, these scenes are both awe-inspiring and terrifying. Dürer's skillful rendering of these apocalyptic visions brings them to life in vivid detail, inviting viewers to contemplate their own mortality and spiritual beliefs. The intricate patterns and textures in this print draw the eye deeper into its layers of meaning, encouraging contemplation on themes of judgment, redemption, and divine intervention. As one of the most renowned artists of the Renaissance period, Dürer's work continues to captivate audiences centuries later. This print serves as a powerful reminder of his enduring legacy and his ability to translate complex theological concepts into visually stunning works of art. Displayed in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek Dresden, this piece stands as a testament to Dürer's lasting influence on both religious art and graphic design.

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