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Shaw-da-mon-nee, There He Goes, a Brave, 1832. Creator: George Catlin
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Shaw-da-mon-nee, There He Goes, a Brave, 1832. Creator: George Catlin
Shaw-da-mon-nee, There He Goes, a Brave, 1832
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Media ID 21233594
© Heritage Art/Heritage Images
Bangle Bare Chested Barechested Catlin George Face Paint Feather Feathers George Catlin George Wilkes Barre Necklace Omaha Peace Pipe Pipe Ponca Semi Dress Semi Naked Smithsonian American Art Museum Tobacco Pipe
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Shaw-da-mon-nee, There He Goes, a Brave - A Glimpse into Native American Heritage
EDITORS COMMENTS
. In this oil painting by George Catlin, titled "Shaw-da-mon-nee, There He Goes, a Brave" we are transported back to the 19th century in America. The artwork showcases an indigenous man from the Omaha or Ponca tribe adorned with traditional clothing and jewelry. The subject's direct gaze and confident posture exude strength and resilience. His face paint and feathered headdress symbolize his cultural identity and connection to nature. The intricate necklace around his neck adds a touch of elegance to his attire. Catlin's meticulous attention to detail is evident in every brushstroke as he captures the vibrant colors of the brave's clothing. The artist skillfully portrays the texture of fabrics while highlighting their rich hues. This portrait not only serves as a visual representation but also offers valuable insight into Native American culture during that era. It reminds us of their deep-rooted heritage, which includes spiritual practices such as smoking peace pipes – exemplified here by the tobacco pipe held firmly in Shaw-da-mon-nee's hand. Displayed at the Smithsonian American Art Museum, this piece stands as a testament to Catlin's dedication to documenting indigenous communities through art. It invites viewers on an educational journey into America's past while honoring its native inhabitants' contributions and traditions.
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