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Smelting on the River Blythe (Suffolk), 1883 / 87, printed 1888

Smelting on the River Blythe (Suffolk), 1883  /  87, printed 1888


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Smelting on the River Blythe (Suffolk), 1883 / 87, printed 1888

Smelting on the River Blythe (Suffolk), 1883/87, printed 1888. A work made of photogravure, pl. vi from the album " pictures of east anglian life" (1888)

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Media ID 23881091

© Heritage Art/Heritage Images

1888 Dr Peter Henry Emerson Emerson Dr Peter Henry Emerson Peter Henry Local People Peter Henry Emerson Photogravure Pictures Of East Anglian Life And Rowing Boat Smelting Suffolk England Estuary


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> Animals > Fishes > S > Smelt

> Animals > Mammals > Muridae > Water Mouse

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Realistic drawings > Still life artwork > Fine art

> Europe > United Kingdom > England > Rivers

> Europe > United Kingdom > England > Suffolk > Related Images


Smelting on the River Blythe - A Glimpse into 19th Century East Anglian Life

EDITORS COMMENTS
. This photo print, titled "Smelting on the River Blythe (Suffolk), 1883/87, printed 1888" offers a fascinating window into rural life in England during the late 19th century. Taken by renowned photographer Dr. Peter Henry Emerson, this photogravure captures a moment of bustling activity along the riverbank. In this scene, we see three men working diligently in a rowing boat as they engage in the age-old practice of smelting. The billowing smoke from their furnace mingles with the misty air, creating an ethereal atmosphere that adds to the charm of this rustic setting. The photograph not only showcases local people going about their daily work but also highlights transportation and water transport as vital aspects of countryside living at that time. As boats dotting the river provide essential means for trade and travel, they become integral elements within Emerson's composition. Emerson's mastery lies in his ability to capture both human subjects and geographical features with equal precision. The estuary serves as a picturesque backdrop while emphasizing Suffolk's unique geography—a region known for its natural beauty and historical significance. As part of Emerson's larger album entitled "Pictures of East Anglian Life" this particular piece exemplifies his dedication to documenting regionalism through photography. It stands as an enduring testament to British heritage art and provides viewers with an intimate glimpse into a bygone era. Displayed proudly at Chicago's Art Institute Gallery, this remarkable artwork continues to captivate audiences today—transporting us back in time to experience firsthand the charm and laborious nature of rural life in late 19th-century England.

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