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Spear-bearer from Jind, 1903. Artist: Mortimer L Menpes
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Spear-bearer from Jind, 1903. Artist: Mortimer L Menpes
Spear-bearer from Jind, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911, at the height of the British Empire to mark the succession of an Emperor or Empress of India. From The Durbar, by Mortimer Menpes. Text by Dorothy Menpes. [Adam and Charles Black, London, 1903]
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Media ID 14993889
© The Print Collector
Adam And Charles Adam And Charles Black Alexandra British India Delhi Delhi Durbar Dorothy Dorothy Menpes Durbar Edward Vii Imperialism King Edward Vii King Of Great Britain And Ireland Meeting Menpes Mortimer L Mortimer L Menpes Mortimer Luddington Menpes Mortimer Menpes Orange Orange Colour Prince Albert Edward Prince Edward Prince Of Wales Queen Alexandra Royal Event Spear Turban Wettin Headgear Hindoostan
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EDITORS COMMENTS
This photo print, titled "Spear-bearer from Jind, 1903" captures a significant moment in history. Taken during the Imperial Durbar, also known as the Delhi Durbar, this event marked the succession of an Emperor or Empress of India and symbolized the height of British imperialism. The image showcases a striking male figure dressed in vibrant orange attire against a blue backdrop. His traditional Indian clothing and elaborate headdress reflect his cultural heritage. Holding a spear with confidence and pride, he embodies strength and warrior spirit. In this portrait, the man gazes away thoughtfully, perhaps contemplating his role in this grand royal event. The intricate details on his jacket and turban highlight the craftsmanship prevalent during that era. Photographer Mortimer L Menpes skillfully captured not only an individual but also a representation of India's rich history and its complex relationship with British rule. The photograph serves as a visual reminder of both power dynamics at play during that time period and the diverse cultures within India itself. Preserved by The Print Collector29 collection from Adam and Charles Black publishers in London, this historical artifact allows us to delve into early 20th-century Hindoostan (British India) through Mortimer Menpes' lens. It is an invaluable piece for those interested in exploring colonialism's impact on artistry and culture.
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