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Speculators On The Corner, Ballarat, Australia, 1886. Artist: William Thomas Smedley
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Speculators On The Corner, Ballarat, Australia, 1886. Artist: William Thomas Smedley
Speculators On The Corner, Ballarat, Australia, 1886. The town of Ballarat was founded in 1852 after gold was discovered nearby. Wood engraving from Picturesque Atlas of Australasia, Vol II, by Andrew Garran, illustrated under the supervision of Frederic B Schell, (Picturesque Atlas Publishing Co, 1886)
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Media ID 14908760
© The Print Collector / Heritage-Images
Andrew Andrew Garran Australasia Australia Australian Balcony Ballarat Colony Corner Frederic B Frederic B Schell Garran Gold Mining Mining Pith Helmet Schell Smedley Speculator Topee Victoria William Thomas Wrought Iron British Empire Print Collector2 Wood Engraving
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EDITORS COMMENTS
This print titled "Speculators On The Corner, Ballarat, Australia, 1886" takes us back to the bustling streets of a colonial town during the gold rush era. The image showcases the architectural features of the buildings with their wrought iron balconies and intricate designs that reflect the influence of British colonialism. In this snapshot of history, men in uniforms and pith helmets gather on a street corner, embodying the spirit of adventure and opportunity that drew people from all over to seek their fortunes in gold mining. Their presence signifies both the excitement and uncertainty that surrounded this booming industry. The monochrome composition adds a timeless quality to the scene as it captures not only a specific moment but also an entire century's worth of hopes, dreams, and ambitions. It serves as a reminder of how much has changed since then while also highlighting our connection to those who came before us. With its attention to detail and skilled wood engraving technique, this print by William Thomas Smedley is part of an illustrated volume called Picturesque Atlas of Australasia. Through his artistry, Smedley transports us back in time to experience firsthand what life was like in Ballarat during this significant period in Australian history. As we gaze upon this remarkable piece from Heritage Images collection curated by Andrew Garran and Frederic B Schell, we are reminded once again that photographs have the power not only to capture moments but also preserve stories for generations to come.
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