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The St. Christopher of 1423. Creator: Unknown
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The St. Christopher of 1423. Creator: Unknown
The St. Christopher of 1423. The saint carries the Christ-child across a river, using a staff sprouting palm-fronds. The St Christopher Woodcut is the only surviving example of the first piece of European printing bearing a date. Print after a hand-coloured woodcut in the collection of the John Rylands Library, Manchester
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Media ID 18281716
© The Print Collector / Heritage-Images
Crossing Date Halo Jacobus De Varagine Jacobus De Voragine Jacopo Da Voragine Mill Our Saviour Palm Tree St Christopher Staff Water Mill Watermill Voragine
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EDITORS COMMENTS
The St. Christopher of 1423: A Glimpse into Medieval Christianity". This print showcases the renowned artwork known as "The St. Christopher of 1423" created by an unknown artist during the fifteenth century. The focal point of this woodcut is the saint himself, depicted carrying the Christ-child across a mighty river using a staff adorned with palm-fronds. What makes this particular piece significant is that it stands as the sole surviving example of early European printing bearing a date, marking its historical importance in the world of art and literature. Housed within the esteemed John Rylands Library in Manchester, this hand-coloured woodcut captures both religious devotion and artistic finesse. The image portrays St. Christopher as a haloed figure, symbolizing his revered status within Christianity. With every detail meticulously crafted, from his flowing robes to his serene expression, we are transported back to an era where faith played an integral role in people's lives. As we gaze upon this scene, we are reminded not only of its spiritual significance but also its geographical context—a lush landscape featuring a water mill nestled amidst nature's beauty. This harmonious blend between man-made structures and natural elements serves as a testament to mankind's desire to coexist peacefully with their surroundings. "The St. Christopher of 1423" invites us on a journey through time—a window into medieval Europe where religion intertwined with everyday life and art became a medium for storytelling and devotion alike.
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