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Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Ar
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Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Ar
Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer, May 29, 1792
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Media ID 19986634
© Heritage Art/Heritage Images
Archer Bald Breast Breasts Cosmetics Grotesque Lead Make Up Makeup Mirror Misogynist Misogyny Old Age Old Woman Poisonous Ridiculing Ridiculous Rouge Rowlandson Rowlandson Thomas Sarah Silly Teeth Thomas Rowlandson Tooth Vanity West Dentures False Teeth
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EDITORS COMMENTS
The print titled "Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer" captures the essence of 18th-century beauty rituals and societal expectations. Created by Thomas Rowlandson, this black and white etching showcases the absurdity and vanity associated with cosmetics during that era. In this satirical artwork, Rowlandson depicts Lady Sarah Archer as she undergoes various stages of face mending. From applying lead-based white powder to her skin to donning an elaborate wig, every step is meticulously portrayed. The artist's intention seems to be ridiculing the excessive measures women took in pursuit of beauty. Rowlandson's portrayal also highlights society's misogynistic views towards women who dared to age naturally. By showcasing dentures and false teeth, he exposes the pressure on women to maintain a youthful appearance even at an advanced age. This artwork serves as a reminder of how societal standards have evolved over time. It sheds light on the toxic concept of female beauty prevalent in 18th-century Britain while simultaneously critiquing it through grotesque imagery. Today, we can appreciate this piece as a historical artifact that reflects both the ridiculousness and harmful effects of cosmetic practices from centuries past. As part of The Metropolitan Museum of Art collection, it stands as a testament to our progress in challenging traditional notions of beauty and embracing diversity in all its forms.
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